SEGEL: And thank goodness I didn’t because I would have actually appeared as if an insane person, and I also surely got to save yourself they for all the film.
How much cash I love your
GROSS: Well, you understand, in “Forgetting Sarah Marshall,” the figure doesn’t understand that the Dracula music he is writing is really a funny.
And I’ll let you know the way it finished up taking place. Judd comes with the same thoughts about enchanting funny when I would, particularly how tough really to create a genuine ending, you realize? And thus we were resting around brainstorming, like, exactly what might be a genuine closing for a romantic comedy? And that I viewed him half-joking, and that I said, well, we’re able to always use my personal Dracula music.
In which he looked over me personally, plus it ended up being, like – you understand, Judd Apatow are a comedy genius, and you just noticed like, ding. Your spotted this try their eyes like, oh, my personal goodness, that is unusual sufficient it could work. Therefore I merely rewrote it that evening, that my fictional character’s come secretly doing a Dracula opera, and that is exactly how that taken place.
GROSS: Well, I want to play a world that pertains to this, and this refers to a world where you’re at a pub with a lady whom you expect is now the new sweetheart.